教員情報 - ペレッキア　ディエゴ

ペレツキア　デイエゴ PELLECCHIA DIEGO
ペレッキア　ディエゴ

所属

京都産業大学文化学部京都文化学科

職種准教授

学会発表
2023/11/12	Religious and secular aspects of nō as ritual in contemporary Japan (Performing Arts in Contemporary Japanese Society University of Hyogo)
2023/10/28	Reception of Nō and Kyōgen in Italy in the First Half of the Twentieth Century (The 44th Annual Conference of the Ezra Pound Society of Japan, University of Hyōgo)
2023/04/26	Analog/digital transmissions of nō knowledge (Performing Intermedia in Japan (Stanford University, Humanities Center))
2022/12/04	Benefits of nō practice on wellbeing (AJJ - Anthropology of Japan in Japan)
2022/03/17	Effects of Covid on Japanese theatre (J-Pest Pandeminars)
2021/12/04	「不到観諸處」—空想を旅する能の物語—」 (京都産業大学文化学部開設20周年記念シンポジウム)
2020/11/15	Noh Amateurs: Practice and Practitioners ((Re)Envisioning Contemporary Japanese Traditional Performing Arts through the Non-Professional)
2020/11/14	能楽の魅力を再考察ー国際的視点からみる日本の伝統芸能 (京都コンソーシアム大学・京都学講座)
2020/02/21	Archiving and Utilization of Japanese Performing Arts Materials on JPARC (Japanese Performing Arts Research Consortium) (「日本文化資源デジタル・アーカイブ国際共同研究拠点」「2019年度成果発表会」)
2019/09/13	Noh theatre across boundaries: thoughts on genre, tradition, and ownership (The Past Is Not Dead)
2019/09/03	An introduction to Noh and Kyogen (25th ICOM General Conference)
2019/06/25	日本伝統芸能とデジタル・ヒューマニティーズ (京都産業大学日本文化研究所例会)
2019/06/08	シンポジアム企画・司会 (安珍清姫の鐘・歴史と伝説を演じる)
2019/04/13	欧米における能楽の初公演・ベネチア1954 (ISEAS京都開館式)
2019/02/22	Archiving and Utilization of Japanese Performing Arts Materials on JPARC (Japanese Performing Arts Research Consortium) (文部科学省共同利用・共同研究拠点「日本文化資源デジタル・アーカイブ研究拠点」／研究拠点形成支援プログラム研究プロジェクト 2018年度成果発表会)
2018/03/12	Ezra Pound, Nō, and the Cantos (Ezra Pound and Japan)
2018/03/10	京都と能楽－歴史と伝統を訪ねて (京あるき in 東京2018)
2017/12/10	Losing your self along the way: the ethics of noh training in the intercultural context (Anthropology of Japan in Japan)
2017/09/01	A comparative look at amateur practices in noh and contemporary theatre (EAJS)
2017/02/20	研究と教育のための伝統芸能資料サイトJPARC：その活用の可能性 (東アジア演劇研究におけるデジタル・ヒューマニティーズの可能性)
2016/06/25	Desperately Seeking Youngblood – The World of University Noh Clubs (AAS in Asia)
2015/09/17	Central periphery: the limits and potential of amateur practice in the world of Japanese Noh Theatre (Amateur Creativity Symposium)
2014/10/19	世界の能を目指す：宇高通成と国際能楽研究会 (能楽の現在と未来)
2014/06/22	Art for the producer, not art for the consumer”: a critical look at the relationship between amateur and professional in Noh Theatre (ASCJ Annual Conference)
2014/01/15	能界における素人の役割 (立命館大学アート・リサーチセンター特別講座)
2014/01/08	Beyond the Black and White: Amateurs and Professionals in the World of Noh Theatre (Kyoto Lectures)
2013/07/24	Dancing history: the ethics of the scholar-practitioner in Japanese Noh theatre (IFTR Annual Conference)
2012/11/24	Noh theatre sacred and profane: a secular approach to ritual (IAJS Annual Conference)
2011/08/12	Ethics and Politics in Ezra Pound’s reception of Noh theatre (IFTR Annual Conference)
2010/08/08	The lesson is over you can now open the book: learning technologies in Japanese Noh theatre (ATHE annual conference)
2009/08/07	Strangers in the Way of Noh: The Ethics of Noh Theatre Training in the International Context (AAP annual conference)
2008/09/21	Staging Noh Theatre Outside Japan: The Udakakai European Tour 2007 (EAJS conference)